PEFORMANCE ARCHIVE

History is an affirmation of who we are and what we can become. It offers a sense of belonging, pride and value. It is what we pass onto generations to ensure their development and growth.


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Hints of Afrikah

1987/1988

This piece embraces all the influences with which IRIE! works. A compilation of Africa, the Caribbean and European movements, accompanied with West African Ju-Ju and Fuji music, dressed with African prints and beading go to make up a celebration of our Afrikan-ness.

Choreographer: Beverley Glean
Music: Thomas Mapfumo-‘Pafumvu Pa Ruzevha’ & ‘Kwaedza Mu Zimbabwe’
Costumes: Marcia Morgan
Lighting: Matt Shadder
Dancers: The Company

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Hail

1987/1988

In celebration of the centenary year of the Rt. Excellent Marcus Mosiah Garvey who has been recognised as the first black man to awaken the dignity of the black race. He is said to have been a descendent of the Maroons, whose inspiration gave birth to the Rastafarian movement. The dance also highlights the “Masumba”, a traditional dance style of the Maroons.

Choreographer Jackie Guy
Music Third World with drum rhythms by Billy Lawrence & Karl Messado
Dancers The Company

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Style

1987/1988

Choreography Beverley Glean
Music Grand Master Flash, ‘Style’
Dancers Hughie Donegan, Prince Morgan, Albie Ollivierre, Raymond Wilks & Mary Suffren

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Mansongs

1987/19888

Tribute to Bob Marley

Choreography Beverley Glean
Music Bob Marley-Turn your lights down low, Redemption Song, No woman no cry, Johnny was
Dancers The company

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Inna Circles

1987/88

Choreography Albie Ollivierre
Music “Inner Circles” – Stevie Wonder
Costumes Jane Coombs
Dancers Pat Banton, Hughie Donegan, Prince Morgan, Latifat Saka, Beverley Jones, Mary Suffren & Raymond Wilks

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A Kind of Love

1987/88

Choreography Deirdre Lovell
Costumes Karen Martin
Music Donny Hathaway ‘for all we know’
Dancer Prince
Music Patril Rusten ‘Giving up’
Dancers Pat & Raymond
Music Labelle ‘Going down to the River’
Dancers Beverley Jones , Latifat Saka and Mary Suffren

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Danse Caribbean

1986/87

This dance combines a panorama of styles from Quadrille, Burru, Tambo, Juba, Dinki Mini, Mento, Kumina to Jonkunnu and Masquerade, stressing the essential male/female relationships that can be found in most traditional dances of the Caribbean.

Choreography    Jackie Guy
Costumes      karen Martin
Music          Prince Morgan & Desmond Carty
Dancers         The company

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Power of Salvation

1986/87

Dance piece to gospel music

Choreography    Pat Banton
Costumes       Niki Childs
Dancers         The company

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Dream Girls

1986/87

A work set to music from the original Broadway cast album.

Choreography    Maria Koripas
Costumes      karen Martin
Set             Maria Livings
Dancers        Pat Banton, Mary Suffren, Beverley Jones, Latifat Saka

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Reggae Suite

1986/87

A montage of group, duet and solo pieces set to popular reggae music.

Choreography   Beverley Glean
Costumes    karen Martin
Lighting     Jack Linstrum
Sound      Neville Stanbury
Dancers    The company (PAT BANTON, HUGHIE DONEGAN, PRINCE MORGAN, LATIFAT SAKA, BEVERLEY JONES, MARY SUFFREN, ALBIE OLLIVIERRE, RAYMOND WILKS)

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Caribbean Suite

1985/86

Commissioned work from Jackie Guy, a selection of traditional Caribbean dances to celebrate the launch of Caribbean Focus.

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IRIE! Dance Festival

1985/1986

A celebration of Black dancers and choreographers in London.

Jean ’Binta’ Breeze, Pat Banton, Debbie Baddoo, Deirdre Lovell & Janet Rolle, Jackie Guy, Stewart Thomas, Corinne Bougaard, Sharon Donaldson and many more

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